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Just like I'll reach for Kontakt long before considering a stock DAW string patch, commercial audio plugins typically bring something to the table stock DAW plugins don't. I just happen to find 3rd party plugins are typically higher quality, and more importantly often have features not available in stock plugins. Interestingly I don't disagree with you that DAW plugins are generally ok.
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How do you think you discovered Studio One, and have you ever considered that its features and plugins were marketed to you by Presonus? It sounds like you're referring to marketing, good luck finding any commercial product that isn't marketed in some way. How often do you see a dialogue editor in a commercial endorsement? And yet why is RX a tool in their tool box? I also don't see how a consensus opinion from people at the top of their industry is somehow equivalent to a fan club. And while I don't disagree that sound is subjective, the definition of boxy is subjective in and of itself.īut if someone posts a question and people who actually use these tools in their day to day give their opinion I don't see what social media influencers, heavily pushed, etc has to do with anything. I do find it interesting given that Ozone is common in commercial mastering and RX is a staple in post production and forensic audio. Especially compared with characterless plugins like Izotope's (their USP is surgical edits based on visual information).Ĭlick to expand.Whatever works for you is fine, I'd never disagree with anyone one on that. DAW plugins are good, and may not sound the same at the same settings, but use your ears and don't listen with your eyes.
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#IZOTOPE OZONE 4 VOICEOVER COMMERCIAL PLUG IN SETTINGS HOW TO#
Shit storm or not, my voice is saying, there is no automatic need to go and buy 3rd party plugins, if you don't know how to use those in your DAW. But I don't have economic interests at stake here, I don't get paid for giving "advice", and will not spend for 1000Punds of hrs to prove anyone wrong on the internet. If you like it, its fine, but I feel there is too little criticism of these tools that are pushed VERY hard to newbies by influencers in social media and forum lobbyists. We even have EQ profiles built into our ears. This is music, and sound ideals are subjective, that's what allows everyone to say "naah, you are an idiot". Anyone trying that will always fall short. That is just my experience from over a year using them, and that's why I feel there is a need to provide a little "hold on" to new producers here.īut there is no point of discussing this with this little information available of my tests, preferences and musical targets. Im sure I could have dialed that out, but I got quicker results with stock DAW plugins. I can hear no advantage, and the sounds I got was sterile and (in terms of Ozone 8), boxy. Ok I'll give one explanation here, sorry I don't adhere to the fan club lobby, but I have had a number of their products over the years, and ab'ed them with stock plugins in Studio One.